Expressed with an embellished language, the play should be in a form action, and not narration played by necessarily characters. Othello is the tragic hero since the play satisfies all the qualifications for tragedy as defined by Aristotle. In Shakespeare's Othello, the play starts mid action with the first scene occurring in the middle of a conversation between Iago and Roderigo. ...Aristotle’s Notion of Tragedy in Shakespeare’s Othello According to Aristotle, the tragedy is an imitation of a serious and complete action (mimesis) within incidents involving fear and pity towards the characters or the events. Shakespeare possibly wrote The Tragedy of Othello, the Moor of Venice in 1603 or 1604, as we know it was first performed on November 1, 1604, at court. Othello, a classic tale of love, jealousy and deceit, is considered one of the greatest dramas of Shakespeare. Aristotle in his Poetics, defined the shape of drama as requiring: SONG. Death is complete with no turning back. Aristotle’s Standards of Tragedy and Othello Tragedy. At the end these are the feelings conveyed toward Othello. Critical Analysis of The Tragedy Of Othello. “In a tragedy, the events or episodes in the play should lead the audiences to feel sorry for the main character-the tragic hero” (Aristotle 1). SPECTACLE. Its main hero may be deemed an ideal tragic hero as per Aristotelian canons; an intended impact of the tragedy is catharsis, and the plot … Othello is a classic Greek tragedy because it abides by Aristotle's definition of great tragedies, the place, time, and focus of a single plot throughout the entirety of the play. Tragedy demonstrates or shows rather than merely “tells.” This reversal of fortune must be caused by the tragic hero’s hamartia, a mistake. Beyond this, Othello is a classical tragedy according to the criteria set forth by Aristotle in the Poetics. As a tragedy however, Othello is unable fix what he has done wrong. “Othello, the Moor of Venice" can be considered as a Shakespeare's tragedy in which Othello serves as the tragic hero according to Aristotle. Othello is a tragic hero whose demise is brought forth by his own tragic flaw. Othello and Macbeth both fit Aristotle’s second criteria. Othello represents such an Aristotelian tragedy intertwined by the mere words of the characters. Othello is a highly respected general of the army of Venice, while Macbeth was made the Thane of Cawdor out of respect for his great war prowess. This tragic ‘flaw’ has sometimes been incorrectly interpreted in moral terms, and some critics have looked for some moral weakness in the tragic hero . In addition, this paper discusses Othello as a tragic hero and play as an Aristotelian tragedy. PLOT. Search this site. Othello plots to kill his lover Desdemona over allegations passed to him by his ensign Iago. 2.0 Aristotelian Tragedy Aristotle (as cited in McManus, 1999) reiterated that drama serves as a medium for tragedy. For Aristotle a tragedy is to be serious having dignity and a protagonist of high esteem that experiences a reversal of fortune. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in Othello’s character and when they occur, with great accuracy. Othello as an Aristotelian Tragedy. Both had a dignified position in their country’s army, thus qualifying them as suitable heroes. Home. Aristotelian tragedy. In common with most Elizabethan theatre (and all of Shakespeare’s plays), Othello is a play in five acts which corresponds to the typical structure of a tragedy. ARISTOTELIAN TERMS. DICTION. Aristotle's Poetics. Language perhaps accomplishes the most re-assuring role in preparing and asserting the position of the protagonist for a fall. The current paper strives to prove that Othello, the Moor of Venice is truly a sample of an Aristotelian tragedy, albeit slightly modified by the author to appease to his contemporaries and emphasize some topical issues. CHARACTER. Introduction. It presents the characteristics that define the Aristotelian tragedy.

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