Similarly, Arthur initially appears reluctant to the idea of marriage as he surveys the new build homes, he looks frustrated as he is someone who wanted more from life than characters such as Jack. This is evident in the scene just before Arthur meets Doreen for the first time. It was among the first of the "kitchen sink dramas" that followed the success of the play Look Back in Anger. ABOUT FILM NIGHT Arthur, despite his love for women, replies, “Because she’s a bitch and a whore.” Powell expands on Arthur’s moral position, “Arthur’s perverse outlook on morality is shown when he condemns the man for being ‘spineless’ for not fleeing the scene” (Powell, 2009). It is here where many of the characters appear to reject the idea of ‘the good old days’, as mentioned by Bert in a later scene, and appear happier in this post-war era. With Tony Richardson opting to co-produce Saturday Night and Sunday Morning with Salzman, the young Czech-born film maker Karel Reisz (1926- 2002) The most shocking aspect of the film would turn out to be its portrayal of abortion, an issue which inflamed public opinion at the time. Instead he simply dumped Brenda with his Aunt Ada and hoped the problem would go away. The film offers up a sense of togetherness in its representation of men here, as Arthur’s friend Bert generally poses little opposition to his behaviour. Back in nineteen sixties Britain it was something of an unknown quantity, as the film demonstrates. Like Arthur, Jayne's father works in the Raleigh factory, and when a young Jayne mentions the film, her mother scolds her and calls the film "rude". Arthur says, "I ain't a communist. In contrast, Saturday Night and Sunday Morning shows the decision to be taken by just Brenda, with … Jack is portrayed as a clearly professionally successful family man, judging by the possession of his own home and motorbike. Will Arthur face up to the kind of domestic responsibilities he openly scorns in his own parents, or run harder than ever? Baber explains, “For example, when large numbers of husbands go off to war for a protracted period, the wives must assume new responsibilities that bring with them new status and authority” (Baber, 1943). A rebellious, hard-living factory worker juggles relationships with two women, one of whom is married to another man but pregnant with his child. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. There are at least two points of evidence within the film that suggests this, firstly in how many people work at the factory and secondly how busy the pubs and cinema’s look. Ada has Brenda sit in a hot bath and drink gin, which does not work. It would appear that Jack’s character, although clearly troubled by what went on between Arthur and Brenda, is able to move past the events in complete confidence that Brenda is his and that she is completely happy to be with him; despite this not necessarily being the case. inspired the song "There Is A Light That Never Goes Out" on the same album ("I want to see people and I want to see life"). The film entered general release on the ABC cinema circuit from late January 1961 and was a box-office success, being the third most popular film in Britain that year. It must be remembered that although Arthur’s working conditions were tough, nineteen sixties Britain was a time when the country was growing in prosperity. Women were looked down upon in many areas of society, particularly in the world of work where there was a severe lack of equality in both pay and hierarchical positions. Saturday Night and Sunday Morning opened at the Warner cinema in London's West End on 27 October 1960 and received generally favourable reviews. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Saturday Night and Sunday Morning was at the forefront of the British New Wave, portraying British working class life in a serious manner for the first time and dealing realistically with sex and abortion. Doreen, as Prince explains, “is one of the causes of Arthur’s change of outlook… she does not seem a real person in the sense that Arthur does, or even to the extent that the other women are” (Prince, 1960). The film went on general release on the ABC cinema circuit from late January 1961 and was a popular success, being the third most popular film at the British box office in that year. An example of this would be when Jack reveals to Arthur that he has been put on nights. The film went £3,500 over budget and two days over schedule when filming at a Nottingham factory proved more difficult than expected. The integral theme of abortion is hardly one that sits easy with us today and in an era when the termination of unwanted pregnancies was illegal an extra layer of unease is applied. It’s the story of young Nottingham factory worker Arthur Seaton, who works hard and plays hard and is … The next section of the essay will look at the main female characters in the film, whilst reviewing some sub themes such as marriage and abortion. Arthur scowls at this idea as it would be detrimental to his social life; whereas Jack views it only as a positive. In the scene after Arthur and Brenda had spent the night together, it would appear as though Brenda, just by way of duty, is expected to cook Arthur’s breakfast for him. It is a testament to the film-makers that this storyline does not alienate audiences. It could be viewed, as Arthur does, that Brenda is just another girl looking for fun. Instead he chooses simply to have fun and is happy sleeping with married women, even when they are the wife of his work colleague. Arthur pulls Brenda aside, and she reveals that she has decided to have the child. Saturday Night and Sunday Morning holds one principally as the portrait of a dimly dawning conscience, a boy-into-man metamorphosis too consistently honest to permit false ironies or heroics. The film presents however, many other sides to Arthur’s character which can be aggressive, selfish, certainly childish and most definitely stubborn. The film is referenced in Torvill and Dean, the biopic of Nottingham ice dancers Jayne Torvill and Christopher Dean. He has reasons to fight, reasons to drink and several girls on the go. The actual act of vandalism becomes almost irrelevant as Arthur and Bert instantly take the side of the man guilty of committing the crime. So as the two walk off into the sunset and to the conclusion of the film, it would seem as though Arthur had met his match with Doreen and was beginning to accept a new way of life. One of the greatest novels of working class life ever, Alan Sillitoe’s best novel packs as much of a punch today as it did when first published in 1958. The film also manages to identify the differences in the female gender through sub themes such as abortion and marriage. Arthur spends a week recovering and is visited by Doreen; they later have sex. He offers to pay for her to visit a doctor who might carry out the abortion. It could almost be argued that his wife’s cheating has far less significance than it would have in today’s age. Arthur Seaton is mentioned in the song "Where Are they Now?" Morrissey, the lead singer and lyricist of The Smiths, has stated that the film is one of his favourites. This segment of the film shows the most severe difference between nineteen sixties society and the present day in the discussions of gender. A similar analysis of the film will be conducted when looking at women in the 1960’s, by bringing in sub-theme’s such as abortion and marriage. Furthermore, aside from Arthur initially providing a solution to what was deemed as simply a problem, Arthur shows little support for Brenda. Saturday Night & Sunday Morning “Amanda Whittington’s stage adaptation makes the almost 50-year-old classic seem less nostalgic than prophetic.” The Guardian “Anyone tempted to think that 50 years ago, life was nicer only has to watch the scenes in the pub or the hot-bath abortion scene that quite rightly spares the audience little. With regards to the main theme of gender, abortion is viewed vastly different in contemporary society. Doreen on the other hand looks to be set on the idea of marriage, as she falls deeper into love with Arthur as the film progresses. Saturday Night and Sunday Morning Synopsis Favorite Movie Button ... child. The introductory chapter is first shot inside the factory where Arthur and Doreen’s husband Jack both work. While social mobility is less of an issue here than in other contemporary British films, Saturday Night and Sunday Morning still touches on fantasies of social betterment, the individualising of social issues, and the myth of classlessness (in the final scene of the film Doreen and Arthur look down on a new housing development, the product of 1950s affluence; for Doreen, this represents modernity, the way ahead, … The main theme that this essay will focus on however is gender, looking at the differences and divisions between men and women in 1960’s Britain. Powell says, “The idea that hardships of war brought out the best in the community does not make any sense to the younger generation” (Powell, 2009). The closing scenes show Arthur and Doreen on a grassy slope overlooking a housing estate with new construction going on. A piece I wrote on the film ‘Saturday Night and Sunday Morning’, analysing the main theme of changing gender roles. As Arthur clings to her, she wriggles free because she is at the fair with her family. "Saturday Night Sunday Morning" is the title of a song from Madness's 1999 album Wonderful. Please feel free to browse my catergories. This essay will also take into consideration a twenty first century viewpoint when looking at the various issues raised by the film, and how things may be viewed differently in contemporary society. I tell you. [citation needed], Bryanston guaranteed £81,820 of the budget, the NFFC provided £28,000, Twickenham Studios provided £610 and Richardson deferred his producers fee of £965. Arthur is working-class, but he isn't poor; a point well made in this new stage version adapted and directed by Matthew Dunster. Arthur is having an affair with Brenda, the wife of an older colleague. Saturday Night and Sunday Morning is Alan Sillitoe's most famous depiction of working class life, portraying multi-layered characters constrained by the conventions of capitalism. This is present in the sequences of the film involving marriage and abortion but also in the conflict between men and women in the film, as men are seen as the dominant gender throughout. It will be important to analyse how men are represented by this film by looking at the differences between Arthur and Jack’s character. Saturday Night, Sunday Morning (UK 1960) Working class sitting-dining room Part of the freshness of the British New Wave was the films’ use of relatively unknown actors such as Albert Finney (above) and Saturday Night and Sunday Morning was one of the first New Wave films to focus on working class life. Turning to the sub theme of abortion, the film has a lot to say on the issue as Brenda falls pregnant. This is most likely the truth as Brenda, in being willing to have an affair with another man, is seen to be showing little respect for her marriage. Woodsyafa. Producer Tony Richardson later directed another such film, The Loneliness of the Long Distance Runner (1962), which was also adapted from an Alan Sillitoe book of the same name. (2 posts). Saturday Night and Sunday Morning is a 1960 film directed by Karel Reisz, one of the first in the British New Wave/Kitchen Sink Drama movement. These observations say as much about Arthur’s rather abrupt personality as anything else but does show how times have changed in the relationship between a father and their child. Saturday Night and Sunday Morning (Blu-ray) Saturday Night and Sunday Morning (Blu-ray ... With abortion illegal at the time, Arthur and Brenda face a difficult dilemma. Saturday Night and Sunday Morning subtitles. Nottingham Playhouse, Nottingham. Saturday Night and Sunday Morning is set in 1950s Nottingham and centres on rebellious young factory worker Arthur Seaton who works hard and plays dirty. Saturday Night and Sunday Morning (1963) Case Study, http://www.youtube.com/watch?v=OHsOSySZOyo, Politics: Political Philosophy. Writer Alan Sillitoe adapted the screenplay from his own 1958 novel.. Its main character is Arthur Seaton (Albert Finney), a blue-collar worker who is very successful at work and always eager to have rough fun during the weekend. She has a strong personality and, at first, seems reluctant to speak to Arthur until he starts to reveal his charm and wit. The film manages to identify, perhaps age related, differences between the male characters of Arthur and Jack. AKA: Lørdag aften, søndag morgen. Although still considered dominant, men like Bert and Jack are common characters even in today’s society as they appear to be neutral and forgiving. Arthur’s character is somewhat fascinating to behold due to his outlook on life, an outlook which contrasts fantastically with Jack’s; who is surely more typical of the time. Change ), You are commenting using your Twitter account. During the pub scene, the cinematography of the shots allows the pub to look extremely busy. Ian McKellen in the role of Arthur Seaton. Afterwards, Bert makes the comment, “I don’t know how that rat face could do a thing like that”. The characters are never simple. This is a scene which involves both Arthur and Bert but also Arthur’s Aunt Ada who treats Arthur with utmost respect and brushes over any rumours. when you buy 1 participating bag of Twizzlers candy. ‘Saturday Night and Sunday Morning’ was superbly interpreted from Sillitoe’s script by Karel Reisz and spoke to a generation of post-war people of all classes in a manner never addressed before. Indeed, Arthur has the audacity to blame Jack for the pair’s affair on the grounds that he clearly is not entertaining enough for his wife. ( Log Out /  Nevertheless, the film attempts to offer the audience a fascinating character type who, despite the on the edge lifestyle, could be perceived as being realistic of the time. [citation needed], The film is referenced, not least in the form of the promotional video, using elements of the original cinema poster's graphic design, in the 2013 Franz Ferdinand single "Right Action". After recovering, Arthur returns to work, and realises his affair with Brenda is finished after her husband tells him to stay away from Brenda. In contrast, Saturday Night and Sunday Morning shows the decision to be taken by just Brenda, with Arthur appearing to have very little say in the matter. It is made clear at certain points within the film that there is an inherent utopian view of the days gone by, which the film attempts to tackle by enhancing or even romanticising the working class lifestyle of the sixties. Upon hearing of Brenda’s pregnancy, Arthur delivers Brenda to his Aunt Ada who attempts a home abortion. Reputedly Saturday Night and Sunday Morning is the first time extra marital sex had been portrayed in this way. The film is one of a series of "kitchen sink drama" films made in the late 1950s and early 1960s, as part of the British New Wave of filmmaking, from directors such as Reisz, Jack Clayton, Lindsay Anderson, John Schlesinger and Tony Richardson and adapted from the works of writers such as Sillitoe, John Braine and John Osborne. This alone shows the mindset and opposition women sometimes felt towards men. It earned over half a million pounds in profit. Crucially, the film Vera Drake takes a much deeper look into the character similar to Aunt Ada in Saturday Night and Sunday Morning. It is also the only film in which I have heard anyone call someone else a “swivel-eyed get”. PDF Saturday Night and Sunday Morning (Plume Contemporary Fiction) EBook. Saturday night and Sunday morning by Sillitoe, Alan. Men in the sixties were seen as the dominant gender on many fronts, as they are depicted in the film to be controlling of both their relationships and work agenda’s. Saturday Night and Sunday Morning received an X rating from the BBFC upon its theatrical release. Brenda's brother-in-law and his friend notice her enter the ride and follow her, shocked to see Arthur riding with his arm around Brenda. This shows an intertextual reference to Vera Drake (Leigh, 2004), as the method of abortion used is rather similar. Get An Epic Flick Movie Rental. by The Kinks, which appears on their album Preservation Act 1. He is greeted into the pub by Bert and his Aunt with much rapture as an almost hero-like figure, but he then descends quickly into his default womanising character as he is left alone with his future acquaintance Doreen. Much of the exterior location filming was shot in Nottingham, though some scenes were shot elsewhere. Saturday Night and Sunday Morning was at the forefront of the British New Wave, portraying British working class life in a serious manner for the first time and dealing realistically with sex and abortion. The first significant contrast between two male characters in the film is presented to the audience when Arthur is seen to be relatively happy to ride home on a pushbike, whereas the film also shows Jack arriving home on his motorbike. Some of the song's lyrics were inspired by a postcard found by the band's lead singer Alex Kapranos for sale on a market stall, the postcard being addressed to the film's director, Karel Reisz. With him is Brenda, his girlfriend of the moment. He tries to help her when she says she wants an abortion, although ultimately this is unsuccessful. 59:00. Despite his eventual comeuppance, Arthur’s refusal to conform to society means that he values fun over anything else in life as he proclaims, “all the rest is propaganda”. This sense of individualism carries on into the sixties where women such as Brenda appear to want more from life than just a steady marriage. Finney makes no effort to make Arthur anywhere near sympathetic. Louiserankins. Based on a novel by Alan Sillitoe, it is very much of the social realism genre and could be used to view many sociological themes. Arthur decides to marry Doreen. Although it could be argued that this is simply the way things were for women back in the nineteen sixties.

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